Section 4.1
The Bonnefantenmuseum will do everything possible to let the visit to the museum premises or the exhibitions and events organised by the Bonnefantenmuseum take place according to the published offer; this includes the obligation to inform the public as clearly as possible about total, partial or advanced closure of the museum premises and/or exhibitions organized by the Bonnefantenmuseum. Moreover the Bonnefantenmuseum will inform the potential public about maintenance work which may be a hindrance or the rebuilding or the designing/redesigning of areas. The visitor can never derive the right to compensation for these matters.
Section 4.2
Claims can not be made with reference to the following, for the Bonnefantenmuseum unavoidable, complaints and circumstances, and will therefore never lead to any obligation to compensation from the museum to the visitor:
a. complaints referring to objects not being visible from the permanent collection of the Bonnefantenmuseum
b. complaints referring to the partial closure of the museum premises, which include, but are not restricted to, partial closure as a result of the building or dismantling of exhibitions;
c. complaints and circumstances referring to inconvenience or discomfort caused by other visitors, which include, but are not restricted to, noise nuisance, improper behaviour, theft or molestation;
d. complaints and circumstances referring to nuisance or inconvenience caused by maintenance activities, which include, but are not restricted to, rebuilding or designing/redesigning of areas;
e. complaints and circumstances referring to nuisance or discomfort caused by improper functioning of facilities within the museum premises.
Section 4.3
Complaints and requests for claims about the agreement between the Bonnefantenmuseum and the visitor should reach the Bonnefantenmuseum in writing within six weeks after the visit took place. Complaints and requests for compensation submitted after this period will not be dealt with. A complaints form can be obtained with these Conditions for Visitors.
Section 4.4
The Bonnefantenmuseum will examine the complaint and reply in writing within 30 days of receipt. If the examination has not yet been completed by that time, this will be communicated to the complainer, together with the expected moment when this will be completed.
Section 4.5
The visitor may submit complaints, claims, and suggestions for improvement in writing by completing a form available with these Conditions for Visitors.
Liability of the museum
Section 5.1
The Bonnefantenmuseum can never be held responsible for damage due to quotations, information or other information given by the Bonnefantenmuseum and/or third parties to the visitor unless, and in so far as, this damage is the direct result of the wilful intent or gross negligence of the Bonnefantenmuseum and/or its staff.
Section 5.2
The visitors' stay on the museum premises is for their own account and risk. The museum is only liable for material or consequential damage suffered by the visitor or injury sustained by the visitor if it is the direct and exclusive result of wilful intent or gross negligence of the museum, on the understanding that only the claim can be compensated for which the museum is insured, or should have been insured in fairness and justice.
Section 5.3
In no case is the Bonnefantenmuseum obliged to pay a higher amount in damages than:
a. the actually paid admission charge and the actually incurred travelling expenses
or, if this is more,
b. the amount paid by the insurer of the Bonnefantenmuseum to the Bonnefantenmuseum for the amount paid for the damage, or,
c. the compensation obtained from a third party for the damage
Section 5.4
The Bonnefantenmuseum is never liable for damage caused to vehicles of the visitor unless, and in so far as, damage came into being on or within the museum premises and if, and in so far as, this damage is the direct result of the wilful intent or gross negligence of the Bonnefantenmuseum and/or its staff.
Section 5.5
The Bonnefantenmuseum is never liable for any direct/indirect damage whatsoever, occasioned as the direct/indirect result of any defect, any quality or circumstance of, in or on any immovable property of which the Bonnefantenmuseum is holder, tenant/hereditary tenant, lessee or owner, or which is otherwise at the disposal of the Bonnefantenmuseum, except if, and in so far as, the damage is the direct result of the wilful intent or gross negligence of the Bonnefantenmuseum and/or its staff.
Section 5.6
If the Bonnefantenmuseum accepts goods or if goods are, in whatever way, wherever, by whomever, handed in, kept, and/or left behind without asking the Bonnefantenmuseum for any compensation for them, then the Bonnefantenmuseum is never liable for damage to, or in connection with, goods in whatever way it may have occurred unless the Bonnefantenmuseum has caused deliberate damage or if the damage is the result of gross negligence of the Bonnefantenmuseum.
Section 5.7
The total liability of the Bonnefantenmuseum due to imputable shortcomings in observing the visiting agreement is restricted to compensation of direct damage and shall in no case be more than the compensation agreement described under 5.3.
Section 5.8
In the case of damage arising from death or bodily injury, the total liability of the Bonnefantenmuseum will never be more than the compensation agreement described under 5.3.
Section 5.9
The liability of the Bonnefantenmuseum through indirect damage, including consequential damages, deprivation of profit or wages, missed savings, etc., is excluded.
Section 5.10
The maximum amounts mentioned in section 5.3 will, however, be disregarded if, and in so far as, the damage is the result of the wilful intent or gross negligence of the Bonnefantenmuseum or one of its staff.
Force majeure
Section 6.1
Force majeure which prevents possible shortcomings caused by it from being claimed from the Bonnefantenmuseum, will apply to any unforeseen circumstance that will make implementation of the agreement by the Bonnefantenmuseum so difficult that temporary or permanent implementation of the agreement will be impossible or difficult.
Section 6.2
By such circumstances are also understood circumstances with regard to persons and/or services, and/or institutions which the Bonnefantenmuseum wished to use for the implementation of the visiting conditions, as well as anything that applies to the above-mentioned as force majeure or suspending or dissolving conditions, as well as imputable shortcomings from the above-mentioned.
Lost property
Section 7.1
Lost property found by the visitor on the museum premises can be handed in at the entrance / ticket sales.
Section 7.2
The Bonnefantenmuseum will do its utmost to trace the owner of the lost property, and to this end will maintain regular contact with the local police. Lost property which, after having been kept by the Bonnefantenmuseum for six months, has not been reclaimed by its owner are transferred to the local police.
Section 7.3
If the owner of the lost property contacts the museum, he/she has the choice of coming to retrieve the property himself/herself or have it sent to him/her cash on delivery. In both cases he/she must produce proper evidence of identity.
Other conditions
Section 8.1
The applicability of these Conditions for Visitors does not detract from the applicability of other (contractual) conditions and/or regulations of the Bonnefantenmuseum, if any.
Applicable law
Section 9.1
These Conditions for Visitors and the agreement between the visitor and the Bonnefantenmuseum are governed by Dutch law.
Section 9.2
All disputes resulting from the agreement between the visitor and the museum will be exclusively submitted to the competent court in Maastricht.
These Conditions for Visitors have been established by the director and registered under number 41076439 at the Chamber of Commerce ‘Zuid Limburg’ in Maastricht. In the event of dispute and/or argument about claims between the visitor and the Bonnefantenmuseum, the Dutch version of the Conditions for Visitors will exclusively apply.
The Bonnefantenmuseum is represented by its directors Alexander van Grevenstein and Harrie Dragstra.
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